Monday, 17 July 2017
So nearly every episode of the new season of Twin Peaks has featured a song played live in the Bang Bang bar for the final credits sequence. Chromatics paid ethereal homage to Julee Cruise at the end of the first or second episode. The only other time I've heard this group was on the Drive soundtrack a couple of years ago. The tune in that film was pretty ordinary but Shadow's got a perfect vibe for Twin Peaks. When that synth swells up it gets very very lovely.
I've skipped ahead to episode 4 because the band at the end of episode 3 were fucking awful - the music and their hair! Anyway at the end of the 4th episode were Au Revoir Simone with Lark, which I really enjoyed. This group's been around for like 15 years. Can't quite put my finger on what is magic about this tune, just a beautiful classic melody I suppose. The keyboard player on the right is the star of the band with her Addicted To Love schtick.
I would never bother listening to Sharon Van Etten but Lynch made me sit through this slowcore country folk tune and I gotta say it was the best thing about episode six. That might not be saying much though as this instalment was the fucking pits and made me stop watching the new season for a month. I was later advised to keep checking out the new episodes which I eventually did.
A second appearance for this synth trio. Like if 80s indie pop was informed by Stereolab and Broadcast. Backwards not possible pop. Another lovely tune.
This is the lady who sang a Spanish a cappella version of Crying in Mulholland Drive which was amazing. This is a good vocal performance too if not quite as mind-blowing. Moby, who once sampled the original Twin Peaks soundtrack on his smash hit Go, is playing guitar with Rebekah Del Rio here at the end of tonight's episode.
*I've left out a couple of performances ie. NIN, Hudson Mowhawke etc. as they were underwhelming.
Wednesday, 12 July 2017
These first 3 got my vote as I actually own the albums but the bottom 3, which I've just discovered at discogs, are also the fabulous. There are some other great Scientist records like the Dub Landing series but those covers are not so great.
This put me in mind of an old comic from Britain Tiger & Scorcher. My older brother used to read it in the 70s. I remember it had motor racing, stunt men, wrestling, soccer and maybe it had boxing too. Cricket? Dunno...if only they'd invent a machine where I could instantly research such things.
This one might actually be the best of the lot. I wish I was at that contest! Just quietly I reckon Scientist would have won.
*Great LP Covers Part I
Saturday, 8 July 2017
After that previous post about Not Not Fun I had a chuckle to myself and thought 'What am I going to do next check out the new releases on Digitalis or Hooker Vision?' These labels covered the scene(s) of many names hypnagogia, glow fi, tropical, neo-kosmiche, altered zones, nu age noise etc. I had a little look on the intewebs only to find Hooker Vision ceased operations in 2014 and Digitalis seems to have perhaps closed its doors around the same time. So I won't be doing a post featuring 2017 releases from those labels. Maybe I need to check out Gift Tapes, Pizza Night, Taped Sounds, Olde English Spelling Bee or Catholic Tapes. Those labels probably don't exist either. I reckon 6 years is the perfect amount of time for a label to exist anyway. Don't hang around too long to become boring. Imagine if Flying Nun or Ghostbox halted after that amount of time, they would have been perfect.
|From the ye olde Hooker Vision blog|
Anyway I did discover an old album by Quiet Evenings from 2011. Quiet Evenings contain the husband and wife team, Grant and Rachael Evans, who also ran the Hooker Vision label. Rachael's other musical project is the fab Motion Sickness Of Time Travel and her husband was in Nova Scotian Arms, Crippling and a whole bunch of others. Transcending Spheres turns out to be a lost classic that funnily wasn't released on any of the aforementioned labels. It's here at bandcamp though. Synths drift and hover, beats remain discreet and guitars even appear amongst the narcotic glaze. It's dark, it's haunting and it's sublime.
Thursday, 6 July 2017
I really don't recall how I ended up here but I'm glad I did even though it's probably not very cool. I can't remember the last Not Not Fun album I bought. It was a couple of years ago at least, that Rangers Reconsider Lounge record maybe. Tonight somehow I had arrived at the label's bandcamp site and ended up coming away with three of their 2017 releases. There was a time when everything they released was really bloody good. I perceived that they had reached some kind of peak around 2010/2011 with a gradual drop off of choice releases in the following years. After listening to these recordings tonight though, perhaps we were a bit hasty in our move away from this great label. Or maybe I'm on a hypnagogic nostalgia trip. Either way it doesn't matter to me, I really enjoyed all of these albums. So with a little help from your friends go ahead and check these out.
Video Salon - Video Salon
Video Salon's haunting drones and shimmering vocals are delightfully mesmerising. This is seductive classic stuff. Brian Pyle (Starving Weirdos, Ensemble Economique) and Galya Chikiss are the duo Video Salon.
Iguana Moonlight - Wild Palms
A synth voyage into the tropical hot dog night. Lovely sonic sketches of solitude by the seaside. These sounds match that cover art perfectly.
Robedoor - New Age Sewage
While we're still in drone territory here, this is much darker and turbulent than the above two releases. New Age Sewage is amorphous psych drone noise on an epic scale. I'm kinda amazed by this actually. I was not expecting to like this so much. By far the best Robedoor thing I've ever heard.
Canada Effervescent - Crystalline
This is retro new age. Crystalline sounds like a tape from the 80s heyday with it's faux harp, piano and environmental sounds amidst the gentle ripples of the cosmic lite synth and other new age accoutrements. This is perfect sleepy time music. I feel calmer already. Nice.
Does anyone remember the great blog Crystal Vibrations? One of my favourite blogs of all time, I wish he still did it. Crystalline reminds me of the many great new age tapes that were posted there.
Wednesday, 5 July 2017
SPACE DEBRIS GOES TO THE NIGERIAN ARMY BARRACKS
Deep in a rabbit hole on the youtubes last night I discovered this lost gem of psych tinged afrobeat from the early 70s. Some of these dudes were from Fela Kuti's 60s group Koola Lobitos. Position Pass Power is on the Shango Dance Band LP which was reissued last year.
I'm amazed that there is any undiscovered stuff from 70s Nigeria left after the massive excavation of the last 20 years. They made a hell of lot of great music in those parts during that era. I still haven't got around to listening to Now Again's Ten years in the making 4 LP compilation from 2016 Wake Up You: The Rise & Fall of Nigerian Rock 1972-77. I thought that was probably going to be the epic final chapter in Nigerian 70s archival sets but maybe not. Let's hope the gems continue to be unearthed.
Monday, 3 July 2017
I was aware of some 80s and 90s tv movies from America thanks to HSV7's The Midday Movie in Melbourne hosted by the late Ivan Hutchinson. To be honest I reckon Duel was the only 70s one I'd ever seen or at least remembered until recently. After checking out a lot of 70s British telly lately I decided it was time to investigate the American tele-movie of the 70s. The history of American made for tv movies is fascinating. In the 70s these films were big events that would get astronomical ratings figures. Then there's also this whole feminist angle of it as well with a lot of these movies being primarily targeted at ladies in the 18 - 49 demographic. These movies were often female driven with strong ensemble casts of women.
Amanda Reyes was instrumental in me undertaking this exploration. She is an American tv movie expert who originally came to my attention last year via the podcast world. She has featured as a guest on The Hysteria Continues and Supporting Characters but she has her very own podcast Made For TV Mayhem. Reyes has recently published the book Are You In The House Alone? Growing Up With Gargoyles, Giant Turtles, Valerie Harper, The Cold War, Stephen King & Co-Ed Call Girls: A Tv Movie Compendium 1964-1999. I keep hearing her pop up as a guest on different casts of pod promoting this book. Reyes is the most unpretentious academic I've ever heard. Her passion for tv movies knows no bounds plus she's incredibly knowledgable and articulate on the subject. Heaps of people know lots of stuff out there on the interwebs but most of them are really really fucking boring or are just plain horrible. Amanda however is a star with her infectious sense of humour and amiable personality.
Spoiler Alert! 4 From THE MADE FOR TV MOVIES Cannon
Night Terror aka Night Drive (1977)
Wow this was a great entry point into the genre. Valerie Harper plays Carol a meek housewife who is chased in her car across country by a psychopathic cop killer. The killer has no vocal cords and has one of those portable voice box devices that you put up to your neck when you need to talk. It rains a lot. Strange stuff happens on this harrowing journey. Night Terror's got creeps in petrol stations, weird drunk people etc. After an exhausting night on the road Carol reaches full transformation in order to survive the killer's last ditch attempts to eradicate her.
All movies should be car chases at night in monsoon like conditions!
Reflections Of Murder (1974)
I couldn't believe how good this one was either. I haven't heard Amanda talk about it but I'm sure she'd love it. It's set in a boarding school on an Island near Seattle. Three of its teachers are involved in a love triangle that goes awry more than once. Rainy atmosphere with lots of rain, actually come to think of it water is a ubiquitous motif here. There's a drowning in a bathtub, a body in a skanky swimming pool, a ferry ride etc. The main dude in this is Jack McCoy from Law & Order...er....that's Sam Waterston. Reflections Of Murder comes with a twist.
The Victim (1972)
Elizabeth Montgomery is an icon of made for tv movies. Here she stars as Kate the sister of a missing person. A storm has has trapped her at her sister's strange overly furnished mansion. Where is her sister? Is she dead? Why is the maid so creepy? What's in the hamper? What's with the lying husband of missing sister? The power has gone off and the phone line is dead. It's raining a lot. Where's the dog? Will Kate survive the night?
Trilogy Of Terror (1975)
Karen Black stars in this famous telly movie anthology. We've got three separate stories here and Black plays different characters in each. The first segment where she plays Julie a college professor who is coerced into a sexual relationship by a student is very unsettling.
The most famous segment is the third one where Black's character Amelia is terrorised by a Zuni Fetish Doll that comes to life while she's on the phone to her mum. After a very entertaining battle Amelia eventually overcomes the crazy doll or does she? No rain in this as far as I can recall but there was satanic wallpaper. Trilogy of Terror tips into the comedy horror category.
Sunday, 2 July 2017
SPACE DEBRIS GOES TO THE DISCO - PART 11
Gibbons this time does a proper remix as opposed to the cut & paste of 10 Percent. Mmm mm....that fuzz guitar is soo good.
Gibbons this time does a proper remix as opposed to the cut & paste of 10 Percent. Mmm mm....that fuzz guitar is soo good.
Thursday, 29 June 2017
SPACE DEBRIS GOES TO THE DISCO - PART 10 (%)
According to Turn The Beat Around: The Secret History of Disco, Peter Shapiro's excellent 2005 book, this was the first disco mix released commercially on a 12". Walter Gibbons was to go from strength to strength in the remix department. Ten Percent was an auspicious start.
Saturday, 24 June 2017
2017 just got a whole lot better. Ariel Pink has a new album Dedicated To Bobby Jameson due out in a couple of months. Something to look forward to.
Love the artwork. If you wanna know who Bobby Jameson was check out his blog. AP loves his LA mythology. It's a wonder Ariel didn't try and get him to do something for Pom Pom? Jameson would have fitted right in with Pom Pom's maverick LA contributors Don Bolles and Kim Fowley.
This video's from a couple of months ago. Tears On Fire is not on the new record, it was on the Ariel Pink & Weyes Blood collab EP Myths 002 which was released in January and I totally missed it.
Classic tune from his great Pom Pom (2014) LP. Never seen this video until today and it's amazing. I know I'm not paying attention but whatever. One of the best videos of the century so far. It makes me wanna drink cheep beer, have a ciggy and be weird.