Showing posts with label Drake. Show all posts
Showing posts with label Drake. Show all posts

Tuesday 24 November 2015

2015 RAP



Houston's Beatking and Atlanta's Young Thug have just released another quality album each. For me right now there are four rappers who stand out from the pack Young Thug, Kevin Gates, Future and of course Beatking. I love me Lils too ie. Boosie, Duke, Durk & Herb. HBK, MPA and Sauce people are real good too. It's hard to leave out the perennially underrated Starlito. Then there's Gangsta Boo, Youngs Dolph & Scooter, Zuse, RJ, Choice and a bunch of others. One thing I'm way not getting is the Awful Records roster. Every artist on this label seems to get a great critical response with every album they issue and yet I couldn't name you one that I thought was any good and I've listened to at least half of Awful's catalogue. Some things are for other people I guess, people not like me.



Those 4 aforementioned rappers are just several notches higher than the rest at the moment. Kevin Gates usually has the best quality control of these four but he's only released one short mixtape this year Murder For Hire that was a bit hard to handle as the djs were a bit overbearing, smothering Kev's idiosyncratic tunes. So really apart from those 7 tracks so far we've only got 4 tunes that are slowly trickling out of i-tunes from his LP Islah which now has a release date for 2016. What's goin on Kev? We were getting two quality albums/mixtapes for the last three years running and that was an unsurpassed winning streak for recent rap. Perhaps I should give Murder For Hire another chance. So 2015 has been a tad disappointing for Gates fans after those previous three years. I don't read gossip columns so maybe I'm missing something like record company troubles, parole violations, legal issues, personal problems - possibly all of the above. Of the remaining 3 it's hard to say who's on top. Thugga and Beatking have released 3 albums/mixtapes each in 2015. Young Thug can be a bit erratic while Beatking is very consistent but can be a bit samey so it's a toss up between those two. Future's released 3 albums/mixtapes as well this year but he has the edge I reckon because he did that collaboration with Drake What A Time To Be Alive which is surprisingly good. Anyway it's not football so we can enjoy everyone's season and I'm pretty sure before the year is out Young Thug and Future could have at least one more release left in them each. As Gates says these four guys 'don't get tired.'


Tuesday 17 February 2015

Luca Brasi 2 - Kevin Gates


If Kevin Gates's Luca Brasi 2 had been released before the 15th of December last year it would most definitely have been in my best of 2014 list. On first listen I thought this was nowhere near as good as his other 2014 release, the excellent, By Any Means. Now I'm pretty sure it's even better and possibly his best recording to date. I also thought there was nothing as bangingly hit worthy as Don't Know What To Call It from 2013's Stranger Than Fiction which should have been a number 1 smash.  I Don't Get Tired featuring August Alsina is almost as awesome but only reached 107 on the US chart and only 33 on the US R&B chart. Then again how many songs about working hard are hits? It's all about the partying in the charts innit?. Kevin Gates has had a hell of a winning streak though with his previous 7 or 8 mixtapes/albums (My files have disappeared so???). Luca Brasi 2 sees him team up with DJ Drama's Gangsta Grillz mixtape team for the first time. Gangsta Grillz have been behind such classics as Young Jeezy's Trap Or Die, Lil Wayne's Dedication 2 and Lil Boosie's Streetz Is Mine among many other groundbreaking semi-legit mixtapes.

It starts off with an Intro that gets straight to the heavy issues Gates is now known for depression and aggression. He mentions being like God, cocaine, cars (big theme with Kev) and something about a Barber Shop. Next is I Don't Get Tired, which was the first and only single so far from the LP, that irritated the hell out me when I first heard it but now I see this is an incredible tune. This features some of his most incredible rapping. Kevin's flow is so idiosyncratic that nobody sounds like this guy. The timbre of his voice is so exquisite. It has quite an affect on the ladies (I've seen women leave their phone numbers on the interweb for Gates) and the men as well. I mean I wish I had a voice that great. I Don't Get Tired features mental fast rapping followed by smooth melodic choruses featuring divine backing vocals and August Alsina's luxurious feature. The tune's about getting dead presidents (that's $$$ folks). He goes from living on an airbed and eating stale Rice Crispies to owning a farm? I hope that's what he says. I can see him and Lil Boosie sippin' lean on the front veranda discussing their prison days with a host of ladies in bikinis. In one section it sounds like he's melodiously singing "I was just tying to get an eye lift." I mean this guy first entered the penal system at age 13 and is currently on parole, he's so hood there's no way he's saying that but I want to believe it because that would be so funny. Anyway this track is some kind of strange salute to the American dream. John Gotti fits with the mafia theme of Luca Brasi who was a character in The Godfather who was Don Corleone's enforcer but I guess he's most famous for being included in the quote "Luca Brasi sleeps with the fishes." John Gotti is a catchy highlight of the album. This could be Kev's most megalomaniac song ever. He compares himself to John Gotti, God, he is Luca Brasi, his mother fucked an angel and he's immortal. Audis, Porsches and Maseratis all get mentioned. Its such a cool pop song you don't even notice at one point he sings he's so depressed he wishes someone would kill him.

The megalomania continues on Perfect Imperfection. It all begins with an incredibly infectious disco violin (synth violin?) sample that is soo good. Then Kev's off comparing himself to Forrest Gump, then says he's Michael Jackson reincarnate and channelling the spirit of Ali The Greatest. He still needs affection though and asks if it's 'ok to cry if you're dying inside?' But he has his craft perfected, he's never wrong, Drake says Gates don't bullshit and all other rappers are fake because they ain't from the ghetto in Louisiana who just take loads of drugs. Having said that Kev admits codeine helps him get by. But those other rappers never had to grind so hard to pay their lawyers yet still go to prison and have your bitch not pick up the phone whilst incarcerated.

Plug Daughter is one of the most sonically cool tracks here with it's classic minimal horror motifs. This is another mafia tale. What the fuck is a Plug daughter? Out The Mud has a backing track reminiscent of a really gentle 90s IDM track with fucking great poetic Speedy Gonzales rapping. Sometimes I think how the hell does he do that? Then he just slips back into melodic hooks like it's nothing. Sit Down has the best bass pressure this side of a No U Turn track along with really subtle haunting piano and synth stabs. Sometimes he fits more words into a tune than early Bob Dylan. The mafia theme continues. Fact and fiction collide. His Breadwinners Association Company is a bona-fide organisation but he places it in a mafia context. I'm astounded again by his rapping on this tune. He has the the best delivery in the game and has had for some time. Complaining's all mad bitches, sex, foreign cars and spending paper. It sounds like he's singing at one point 'them bitches bad but Paco ain't complaining.' I really hope Paco is another Gates alias but I think its just me mishearing again. This is why I don't read lyric sheets it takes away the mystique. Talk On Phones is a classic Wire situation. He rhymes open cases with poker faces you gotta love that. There's like a brilliant one note horror synth stab throughout as well as gloomy swirling synths that are awesome too.

Wassup With It & In My Feelings are as close as Kev gets to a slow jam. Wassup With It could be a smash hit. It's got the melodic pop goods, the only thing holding it back would be all the profanity like 2013's Midnight Run from Dj Mustard featuring Royce The Choice, Skeam & Casey Veggies ie. these two tunes are pop perfection but could never be commercial hits which is such a shame. Gates just wants a fuck with no strings. He's been tainted by past relationships he's just 'tryin to hit that pussy one time, that'd be cool' right? In My Feelings starts out like it could be a slow jam with it's 2014 version of a silky 70s vibe but it's sugar & poison. He's having a massive crack at Southern Christianity in the verse then in the chorus it's all like romantic and soft but then he's into another angry verse then back to the sugar to finish. You don't really have to guess what Pourin The Syrup's about. He's drinking the lean because he's got the weight of the world on his shoulders. Kudos to Kev again this time for rhyming famous with anus. Top that motherfuckers. Wild Ride is a plea for a threesome. Clits, eatin dick, fondling balls, pussy drippin, ass up and face down all sung with a heavenly backing track. Confusing lyric: 'Bonnie & Clyde her', what the fuck does that mean? Must look up the Urban Dictionary on that one. Makin Love is about loving the hustle not some tune about a sex romp. The narcissism continues with lyrics like 'They don't even call me Kevin no more, they call me awesome.' 'I am the way the truth and the light' and 'I am Flawless'. A final shout out to his Maserati engine and guess what he don't get tired. He must be mixing his lean with something of the amphetamine variety though because codeine makes you v tired. I should know I just took some.

Kev. He don't get tired.

Thursday 18 December 2014

Best Tunes Of 2014


Forever Bloody - Young Thug & Bloody Jay
Low - Juicy J feat. Young Thug, N Minaj...
Lifestyle - Young Thug, Rich Homie & Birdman
2 On - Tinashe feat. Schoolboy Q
Studio - Schoolboy Q feat. BJ The Chicago Kid
I'm Comin Home - Lil Boosie
Hunter - Total Control
Florida Water - Young Thug & Bloody Jay
Turn Down For What - DJ Snake & Lil Jon
Club Goin Up On A Tuesday (+DJ Snake remix & Drake version) - I Love Makonnen
Area 51 - Theo Nasa 
One Spliff - Hodgson
Gladiator - RS4
Kuang EP - Lee Gamble
Shake It Off - Taylor Swift
Flesh War - Total Control
Everything Was Legendary With Robert - Dave Graney
Amnesia - Kevin Gates
No Tears - Jeezy feat. Future
'til we pass out - Raven Felix
Danny Glover Remix - Young Thug feat. N Minaj
No Type - Rae Sremmurd
No Love - August Alsina feat. N Minaj
CoCo - O.T. Genasis
Don't Know - Kevin Gates
Pole Sex EP - Beatking
Fuckin Wit Me - Tinashe (Mustard On The Beat)


* I tried to make sure these were singles, songs with videos, virtual singles or promo singles in some form or another otherwise I would have had like 17 Ariel Pink tunes and like 40 from Beatking & HBK Gang. Those songs are on the albums in the upcoming best of 2014 albums and mixtapes list. Then again I guess anything on i-tunes or Beatport is technically a single, whatever!

*No Type by Rae Sremmurd gets a nod for the incredible vibe created by producer Mike Will Made It (of Pour It Up fame and the above No Tears) and the singing from one of the duo but the other guy is such a Young Thug wannabe he ruins it just a tiny bit for me, but it's soo good.....I can let it slide.

Friday 11 July 2014

Controversy

Created a bit of discussion over at Mess&Noise with my thoughts on the new Total Control album. Someone called me Space Dickhead which I liked, might even change my name to that. Big ups to Anok, checkers, MelonHCST, Seahunt, __v & amazinglyblended.

You can check out my love here for Mikey and his cohorts Ooga Boogashere as well!

I'm not sure what the Mess&Noise meant by linking that Tinashe remix, by Drake, in the forum though (If it was sarcasm it didn't come across. They're a bunch of writers though surely they understand that sarcasm doesn't work in written text) As much as Drake might come off as a winging rich arsehole in his music (which I'm not even sure I really like) he does have some sense of the now and not just the resigned retro now. His tune Marvin's Room/Buried Alive is undeniably a milestone in rap culture whether you like it or not. My point on that post was how pointless are remixes (well 99.9% of them)? Having said that I love the original version of 2 On by Tinashe, that's a 2014 killa.

Random thoughts: What the fuck is the difference between trap and ratchet? Do I need to know? Should I care? C'mon all you micro-genre nerds what's lowdown?



Wednesday 9 July 2014

2 On -Tinashe, Drake & Other Remixes.


This is pretty much a Drake version of 2 On and it's pretty good but not really bettering the original. After the first minute of Tinashe's original he takes it over and makes it his own for the rest of the tune.


Then there's this which is pretty odd but this stays Tinashe's track. Although the whole vibe of the tune is moved to somewhere else not as compelling. The rap ain't anywhere near as good as the original Schoolboy Q cameo though. What was Vado thinking? How on earth was he gonna top one of the great rap cameos of all time? He shouldn't have even bothered. I imagine Schoolboy Q being not too threatened by its lameness. I love that string loop thing though, nice. Remixes: What were they for again?


The Original and Best Version. 2014 Classic!

Rome Fortune


Well the backing track is like Kraftwerk, then there's a Moonshake(the group)-like sample followed later by a Pole-esque unskank at the end. It's an incredible production whether the producers are hip to these references or not.


More haunted soundz similar to Burial ala Drake, Schoolboy Q etc. The sound of sweet emptiness.

Saturday 24 May 2014

Ha Ha Drake Mofos


Well here Drake sets us straight with what's up with his sex, drugs & Rap. Who knows what they're smokin though? It's not something I've probably even heard of, let alone seen, let alone smoked (getting old). Sex high on pot was always a pretty dodgy and preposterous proposition, usually completely out of the question, so I'm guessing it's not that.

On another tangent has anyone ever noticed some of Drake's trax are a lot like Burial. They seem to have remnants of the hardcore continuum scattered throughout, is that just me? Never read a review on him so I wouldn't know if people are hip to that. Burial could have produced Nothing Was The Same for all I know. It's probably just both artists using the same musical equipment and coming up with a similar feel despite being from different traditions. I must admit the only Drake tune I knew before listening to this album was this really bloody annoying video that was on channel V every 5 minutes. So I couldn't stand him. In fact I would switch the telly off if it came on. Sonically diggin this LP a lot. Dunno 'bout the words yet though. He doesn't seem very cool but hey that hasn't stopped Kanye being an erratic genius.