Showing posts with label Giuliano Sorgini. Show all posts
Showing posts with label Giuliano Sorgini. Show all posts

Friday 6 February 2015

On The Hi-Fi Part 39


An Ambient EP of loveliness from Loscil. Reminding me of the great Spectral Cassettes series that Pontone posted a few years ago. Those Pontone tapes were my gateway back into electronic music and current music in general. They can probably still be found at his ghost blog. Anyway For Greta is just what I need at the moment. Splendid aural serenity. This is soo good. Hey FACT is this 'power ambient' or just plain old ambient?


Never gone beyond the 70s with Baris Manco before but my GP who's from Turkey played me a track off this because I told him I loved 60s and 70 Turkish music. He asked me what my favorite Manco LP was and I said 2023 which he agreed is very good. He doesn't think the scene has been as good since the 80s and he's not an old guy maybe 40-45. So 'Retromania' goes on in Turkey too. He was also into Mogollar but not familiar with Bunalim, I guess they're obscure, whereas Manco was a big star. Sozum Meclisten Disari is an LP from 1981 and maybe his 6th album. I'm getting music recommendations from doctors now? Strange world indeed. Some good stuff on here. The title track includes lighting cigarettes, talking, pouring drinks, smoking, and what I assume is some sort of whispered words of seduction, a bit like a Turkish Serge Gainsbourg. Of course Baris Manco is a legend and musical innovator in his own right and needs no comparisons. I'd really like to know what the fuck he's saying in that tune. Gulpembe is irresistible Turkish prog synth gold with a hard riff and dark heavy bass. Funky 80s sounds with great keyboards and even a chipmunk choir are all put to good use on this recording. At certain stages during the album it's like Compass Point has been resituauted in Turkey and I mean that in a very good way. This LP contains a classic tune 2025 which is a top shelf cosmic Turkish prog funk jam. Donence the final track is an epic too, great space age synth and over the top guitars but with that unmistakable Anadolu vibe. Still getting deep with this one, however I reckon it's going to be another Manco classic to go along with his other three that I know and love. Thanks Doc, now about fixing these headaches...............actually I wonder if he has any other LPs he can recommend.


Came across this the other day. It's a 70s (1971?) library record on the Italian Leo label from Giuliano Sorgini. He recently came to people's attention due to the reissue of his soundtrack to The Living Dead At The Manchester Morgue on Death Waltz in 2012. Previous to that he was a renowned cult figure in the Library music scene. The one record I had back then was Under Pompelmo, from 1973, which actually got the reissue treatment this year on Italian label Cinedelic Records apparently. Percussioni In Crescendo is a drum heavy, dark, funky and an occasionally bombastic record. This LP can be Incredibly atmospheric and minimal at times. Percussioni In Crescendo's incorporates some good twanging guitars, quirky electronic tones and big big symphonic drums. A little library gem right here folks.



Digging this. Club Godzilla is back with Club God 4. You know what you're getting here songs about gettin booty and songs about getting booty, oh and songs about strippers and headjobs. The instant highlights are the Gangsta Boo contributions which are incredible. I can't help thinking there's too many features though and not enough of just Beatking on his own. Not sure what to make of Chedda Da Connect yet. Is he Houston's answer to Young Thug? Or is his flow way to close to that of Thugga's? He's only on one track so who cares? The rest is sounding v good. How To Make Love To A Woman is skit gold that had me laughing out loud as well as quite astonished at Beatking's audacity. Chamillionaire makes an appearance. I'm not really sure who he is is. He was someone in my hip-hop black spot area (98 to 2011*). Like was he good, cool or innovative? Beatking is really pushing taste boundaries on this release, which I guess is nothing new for him. Like he could give a fuck anyway! Particularly What Dat Mouth Do which is creepy but mainly really funny and probably the most pop tune on the album. Only got it on i-tunes yesterday so I'm still processing it all. I'll do a full review down the track.  It's getting a thrashing though. That's a pretty bloody good sign in this day and age, innit though?

WHAT I'M NOT LISTENING TO


Or the extended version of John Cage's 4.33. More like 4 hours & 33 minutes. Due to debilitating migraines I have to go into a dark room at the first sign of head pain and do nothing. No devices, people or books allowed. Just darkness, the sound of the house and its surrounds. Not as boring as one might think and kind of refreshing and definitely relaxing except for the headache part. Try it without a headache. Humanoid unplugged.

Saturday 9 November 2013

On The Hi-Fi


I Am The Center: Private Issue New Age In America 1950-1990 -
Various Artists
Totally diggin these mellow vibes man. Some of my/your favourite new age/ambient heroes are here like Laraaji, Iasos, Don Slepain, Constance Demby, Michael Stearns & Larkin. Then there's a whole bunch of fellow astral travellers I've not heard of like Judith Trip, Daniel Emmanuel... The best discovery for me here is Aeoliah who gives us 11 and a half minutes of cosmic ear candy, waves of plinky keyboards give way to moon desert guitar bliss to free your mind on the track Tien Fu: Heaven's Gate. That Constance Demby track is killer and indicates her influence on the neo-cosmic underground er.. hello Motion Sickness Of Time Travel. Actually this compilation probably would never have come out if its artists weren't such a big influence on the whole hypnagogic/vapourwave scene of the last few years. This once reviled genre (new age) continues its much warranted rehabilitation.  Fans of the excellent but now inactive blog Crystal Vibrations rejoice, your album of the year has arrived. 


Cosmic Machine: A Voyage across French Cosmic & Electronic Avant Garde (1970-1980) - Various Artists

When I read that an LP was coming out with that title I got very excited. I thought 'Yeah about time the French got their due in respect this kind of gear.'  I guess I was expecting to hear from the likes of Heldon, Spacecrft, Fondation, Patrick Vian, Illitch, Thierry Muller, Metal Urbain, Puzzle etc and maybe a bit of French library by Jean Pierre Decerf or Bernard Fevre. Anyway Fevre appears but none of the rest do. France's 3 most famous musical exports appear however ie. Serge Gainsbourg, Jean-Michel Jarre & Jean-Jaques Perry. I possibly would have used the word pop in the title like 'A Voyage Across French Electronic Pop.' but hey that's not gonna fit for the market they're aiming for though is it? Semantics aside this is a good survey of 70s electronic pop French stylee much of which I'm unaware of.


Bandidos OST - Egisto Macchi (1967)
Choice Spaghetti Western soundtrack from possibly my favourite Italian soundtrack/library composer. We all need more of this in our lives. We should all live like we're in a Spaghetti Western doncha think? I don't know even what that means. Oh dear.....


The Living Dead At The Manchester Morgue OST-Giuliano Sorgini
This tedious film had like 15 different names and it was set up north in the UK but it was Spanish! Sorgini is Italian and I'd previously heard his Under Pompelmo LP which was some funky shit from 1973 and also went under a different name, London Transport! That's all very confusing isn't it? This soundtrack however is one of the best Italian horror soundtracks ever. Its up there with Goblin's Suspiria and Profundo Rosso, Riz Ortilani's Cannibal Holocaust, Morricone's Argento trilogy, Libra's Schock, Nico Findenco's Zombie Holocaust er... and the list goes on. This soundtrack from 1974 has all the right spooky psych-funk vibes with strings, electronics and awesome drumming. The atmospheres are creepy with haunted organs and witchy woodwinds.  Sinister laughing and screams permeate the soundtrack and I loves it.