Tuesday 14 March 2017

Church Tour Dates 81


More Church posters, flyers and ads. These intrigue me. The first one mentions the university I went to, Swinburne Institute, but I assume that would have been the Hawthorn campus not the one I went to which was in Prahran. Although The Prahran Institute gets mentioned in the next poster so I presume Swinburne amalgamated with them at some point...hey I was at primary school in a country town during this time. I'm not sure which Royal Hotel that is but I lived for many years about 3 doors down from the one in Punt Road, Richmond. It's now a titty bar but I think in the 80s it may have been a rock venue as Richmond was pretty hip back then but there was also a Royal Hotel in Essendon so it might have been that one. The Cricketers Arms which was a block away from the Royal is where Men At Work did their early gigs. Bombay Rock was a dodgy Oz Rock/disco in Sydney Road, Brunswick. I'm pretty sure all your favorite Melbourne criminals used to hang out there before they had books, movies and tv shows made about them. By the time I moved to Melbourne in 91 (funnily enough living in Brunswick by 92) it had closed down due to a fire but it was still there for years afterwards. There's a few scenes in the classic film Death In Brunswick shot at this legendary rock venue. Every famous Australian rock band from the 80s and late 70 did their time there ie. Sherbert, Skyhooks, INXS, Chisel, Aussie Crawl, Angels, The Models and even The Boys Next Door.


Eon FM and Big M present an under 18s show at Preston Town Hall....wow. Eon FM only started in 1980 and later became 3MMM in 1988. The Jump Club was maybe what became known as The Club which was situated in Smith St, Collingwood. The Club was still going strong into the 90s and I lost many a brain cell there. Oh and saw a heap of bands there like Kim Salmon & The Surrealists, Grant McLennan, Underground Lovers, Not Drowning Waving, The Cruel Sea, The Mavis's, Powder Monkeys and er...Frente. Then there was the late disco which used to be open till like 6 or 7 am. My head hurts just thinking about it.



This ad for the London Tavern made me laugh because in 1992 I did a Skillshare hospitality course just up the street from this pub. On one of the days we went and learnt about beer and beer kegs at this Caulfield Hotel, which was by then a very not cool or rockin old peoples bar. They were getting some big names there though Mike Rudd, Ayres Rock and of course The Church. The weekday acts however are all in the Who the fuck were they? Hall Of Fame.


Me and the Mrs used to often spend the day down at beautiful Sandringham Beach and call into the bottle shop of what I presume was this hotel. I used to say 'This place was legendary in the old days, I'm pretty sure this was where Australian Crawl got started.' Emma probably just ignored me. By the 2000s it was a sports bar and bistro but it still looked like it had a lot of potential. I always intended on having dinner there but never did. They had the big 1981 names Russell Morris, The Bushwhackers, Lil Jonny Farnham and Aussie Crawl. There is not much on the interweb about the history of the Commodore so I'm not 100% its the same place I think it is but.....

Outstanding (Instrumental) - Gap Band

SPACE DEBRIS GOES TO THE DISCO AGAIN



Ooh very nice. That beat is something else innit? It's so elusive,  just when you think you've got it, it vanishes into thin air.

Magic Fly - Space

SPACE DEBRIS GOES TO THE FRENCH DISCOTHEQUE


This is new to me today, I mean it's only like 40 years old. Incredible Cosmic French Disco. Wow. Dunno about the clip though. I can't work out if its from back in the day or not. It kind of fades out with a minute to go and then there's a whole different bit of footage. Anyway tuuuune! I got through the post without even mentioning you know who.......

Saturday 11 March 2017

Ritz - Cockney Rebel



Simon Reynolds really got me excited about Cockney Rebel's first 2 LPs when he wrote about them in his fabulous 2016 book Shock & Awe. I'd only ever heard Cockney Rebel's Make Me Smile single previously plus there was a cover version that was a hit here in Australia in the late 80s. I'm thinking that was by Nick Barker or someone of that ilk. Anyway the two records The Human Menagerie from 1973 and 1974's The Psychomodo preceded that 1975 number one smash hit. Listening to Psychomodo today I was struck by how much the tune Ritz reminded me of The Church. Further into the track I realised 'Wait a minute, The Church covered this!' The Church's version of Ritz appeared on their 1996 album Magician Among The Spirits which I haven't heard in almost 20 years. So there's weird connections everywhere considering my last 3 posts.



This isn't as glammy or idiosyncratic as anything off the those first couple of LPs probably due to the fact Harley had sacked the original band. He also plays guitar here which is odd because one of the unique things about that first incarnation of Cockney Rebel was that they were guitar-less.

This clip makes me wanna get a bowler hat. How much would that wind everybody up?



So this was slated to appear on Box Of Birds which was their very own Pin Ups/Kicking Against The Pricks type of album ie. an LP of cover versions that were influential on the embryonic Church. But Box Of Birds came out a couple of years after Magician Among The Spirits. Confused? Well it gets more puzzling because Ritz has been removed from subsequent reissues of Magician Among The Spirits. There must be a story here, I just don't know what it is. Maybe I should tweet SK.

Friday 10 March 2017

The Church Concert Ads 85-86







More curious Church paraphernalia. The Venetians I recall were a bloody awful sort of record company version of a rock group. I don't know who The Promise were but I guess they didn't live up to their promise. Ups & Downs were a very good bunch of Church acolytes, at that point anyway. The Crystal Set of course contained Steve's brother Russell. Despite being rather talented Russ could never really emerge from his brother's formidable shadow. How about the supports at the Marquee? Who the fuck were they? Good to see students and pensioners getting a cheaper ticket though. Can you imagine that now? Church guitarist Marty Wilson-Piper ended up in a later line up of All About Eve. Cactus World News and Twenty Flight Rockers went on to join the 'Who the fuck were they?' hall of fame.

The Church Heyday Tour











These pictures were taken in the US on 25/4/86 at New Mexico State University, Las Cruces. I love the 2 I've blown up extra large and this last one.

Church Posters 82-84










These posters I've put here are weird, funny and quite curious. The videodisco at The Maroubra Seals club sounds great. What about Slug Lord for a name for a promotions company? This is just the tip of the iceberg, I might post some more.

Tuesday 28 February 2017

Net Music Coverage

Is it just me or has anyone noticed how crap and just plain dull music coverage is on the internet? Has the discourse run it's course? Let's briefly look at a few examples.

All Music Guide - Oh fuck me this is one of the most frustrating music websites in existence. Sure perhaps they shot themselves in the foot right there with their name ie. they are not covering all music and will often just have a couple of reviews for a band with 20 + releases. Even then quite often the reviews are below par or written by people who seem to not like music very much. It feels like some reviewers have been given a job to sit sit through a stack of records from a genre they can't stand. The Monochrome Set's 1982 LP Eligible Bachelors is called a classic in their review yet it only gets 3 stars, that's 6 out of 10. How many classic albums are rated 6 out of 10? Baffling.

Pitchfork - Much to my annoyance I've started looking at this site again due to one Mr Reynolds now doing the occasional article. He's good, can't vouch for anybody else though. They are so embarrassing sometimes like their 50 best shoegazing LPs list and the 50 best IDM records article. You walk away after reading those and just think 'What a fucking clueless list. How are these fucking people in the music writing game?' They are not an authority on music, which begs the question 'Why am I reading this?' Sometimes I think Pitchfork just wish they were as cool as FACT but they can't pull it off because they're not. I mean they've got current stories on The Shins, Spoon and Fleet Foxes for fuck's sake. They just don't have the insight or a capacity to be thinking about music interestingly. They also don't have taste making skills.

I'm not even going to bother examining The Quietus and several others I can't even recall the names of. It's dismal out there. Anyone know of any good sites concerned mainly with music? Maybe I'll have to go back to printed media. Perhaps The Wire's improved in the last couple of years. At least Mojo used to have excellent articles despite their historical stance. NME, Melody Maker, The Wire, Mojo even Rolling Stone and probably a few others (Creem, Spin, Sounds etc.) all knew what they were talking about back in their heyday or at least had some conviction to persuade. Nobody wants to read clueless fucks writing about music and making us bored or angry.

Wednesday 15 February 2017

20 Acid Clonk Greats - pHarmerz


Breaking News.....here's some new music. This is a collaboration between Farmer Glitch and Ekoplekz (who we haven't heard from in ages). 20 Acid Clonk Greats by pHarmerz is 8 tracks on a double 3" cdr or a digital download. The album doesn't include the just below Hack The Tab (part 1) but does include the further below Sheena Is An Acid Casualty.



Moroccan Music





I am not the guy who has written an article in this month's Wire magazine about Canadian experimental music going by the name of Tim Rutherford-Johnson because I don't have a Johnson at the end of my name. I'd be more likely to write an article about experimental music from Melbourne or Sydney anyway. I did notice there's also a piece on Moroccan trance music which has caught my attention, I may have to actually buy this issue. I'm assuming this article is not about the techno variety of trance, however I may be wrong.

I've been interested in Moroccan music ever since I discovered The Master Musician Of Jajouka in the early 90s. In the last few years after exhaustively listening to my half a dozen Jajouka/Joujouka recordings I've been tuned in to the great blog Moroccan Tape Stash. This blog is a treasure trove with music from pop to sacred trance music and everything else in-between. This scene is still hard to navigate though and can often be confusing. Some of the best tapes posted by Tim Abdellah (a lot of Tims today) on his blog are by unknown artists. I tried to get some youtube clips of the below tape but there's a language barrier. Anyway it makes being a fan of this music a bit more...I dunno...challenging. A bit like in the old days when you had to seek the arcane knowledge of the subterranean music scene, you know before the interwebs. To be honest half the time I don't know exactly what constitutes berber, Jilala or Bendir music. Fuck I like it though. Along with Gamelan music Moroccan music is where I go when current music's not doin it for me, which is 75% of the time.

Couldn't find this on Youtube...It's great though.





So this is the record that started it all for a lot of Moroccan music fans. Brian Jones arranged this recording of The Master Musicians Of Joujouka and this LP was issued in 1971 on Rolling Stone Records. All your favourite creepy hipster Morocco dwellers were involved with the liner notes of this album as well ie. William s Buroughs, Brion Gyson, Paul Bowles etc.